The kinetic image in the muwashshah "Jadek Al-Ghaith" by Lisan Al-Din bin Al-Khatib Al-Andalusi

Author

College of Science and Arts in Unaizah - Qassim University - Saudi Arabia

Abstract

This research deals with the kinetic image in the muwashshah of San Al-Din Bin Al-Khatib "Jadek Al-Ghaith", whose tributaries varied and its manifestations varied. Ibn al-Khatib succeeded in transmitting movement in his forms of different types and levels, and transforming them into people who move and interact with their surroundings. Which made its text open and childish, producing literary and artistic connotations of dense shades, and it came close to the cinematic film, according to the techniques and treatments of cinematic films, as it became possible to find clips in the scenes of the muwashah, which could be complete. Also, Ibn al-Khatib in his muwashshah "Jadek al-Ghaith" succeeded more than all the previous two scarfs in getting out of the circle of photography into the circle of expression. The muwashshah seems to be of great expressive value, in contrast to many other Andalusian muwashshahs in which the description of nature appears - in most cases - as a sequential description.

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